The Benaki Museum of Islamic Art presents the extensive collections of Antonis Benakis, who was born in Egypt and later moved to Greece. The museum is located relatively close to the Acropolis, and the Kerameikos neighborhood has other archaeological sites and a museum as well.
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Museum of Islamic Art. March 2022. Photo by OI |
I visited the Museum of Islamic Art on Sunday. While transferring from Monastiraki metro station to the museum, one could walk through a vast and interesting antique market area. The museum building is an old neoclassical urban mansion, and the exhibition is spread across several floors. The historical layers of the area are illustrated by the preserved and exhibited part of Athens' old defense wall in the basement, built in preparation for the Macedonian invasion.
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Preserved defensive structures in the basement. Photo by OI |
The exhibition is aesthetically well-crafted. The collection appears to be somewhat fragmentary, as collector's collections often are. The exhibition has decided to showcase beautiful groups of objects and individual artifacts. The history of Islam is extensive, and some kind of chronology is reached with each floor of the exhibition presenting a map illustrating the Islamic world during different periods.
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Islamic world around 1300 |
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Exhibition hall. Photo by OI |
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The use of firearms spread to the Muslim world in the mid-15th century. When the Ottoman Turks adopted them, it brought radical changes to the previously employed military tactics. Firearms, swords, and daggers from Turkey, Iran, Arabia, and the Balkans, 1500–2000 CE. |
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Decorative tiling from the Ottoman sultans' summer palace in Edirne (Adrianople). Iznik, second half of the 16th century. The palace was destroyed in 1887/88 during the city's Russian occupation, and the tiles scattered to private collections and museums in Western Europe. The reconstruction combines tiles borrowed from the Calouste Gulbenkian Foundation in Lisbon with tiles held by the Benaki Museum. Complementary painted parts are based on panel sections from other museums. On loan from the Calouste Gulbenkian Foundation, Lisbon. |
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Silk adorned with scenes of animal battles, woven with multicolored and metallic threads. Iran, early 17th century. The pattern consists of small flowers, lotus blossoms, palmettes, deer, and wild animals. According to the museum's object text, the scenes depict a Chinese dragon attacking a bull, as well as a cheetah and an onager. The excellent quality of the fabric and the nearly miniature size of the recurring motifs suggest that it is a creation from the early Safavid period. Detail from the silk fabric. |

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Brass astrolabe and ivory quadrant. Syria, 1328/9 and 1340/1. The astrolabe was made for Muhammad al-Tanuhhi by the astronomer Ahmad ibn al-Sarraj. The inscription indicates the manufacturing date as 729 (1328/9), with four names of later owners. According to the museum, this is the only known example of a universal astrolabe, an invention of Muslim astronomers that continues the tradition of the ancient Greek astrolabe. The quadrant (a simplified version of the astrolabe) bears the name Abu Tahir and the date 741 (1340/1). |
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Gold jewelry, Spain, Egypt, Syria, and Iran, 8th–12th centuries. |
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Parchment with a quote from the Quran. North Africa, 9th century. The excerpt is from the tenth chapter of the Quran, "Jonah," written in Kufic script. |
At the time of the visit, there was a changing exhibition related to ceramics. It did not have a separate space but was distributed among the permanent exhibition.
On the top floor of the museum, there was a small cafe and terrace. The cafe was pleasant, like most cafes in Athens' museums. Coffee cost almost four euros, which is quite expensive in Athens. Customers seemed on a Sunday and before the tourist season to be local residents.
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Cafe in March 2022. Photo by OI. |
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